MILGROM ENTERTAINMENT · SOUND & SYSTEMS
Good sound.
Strange ideas.
Live sound, DJ sets, recording, and experiments in how music works.
FROM THE ROOM
TO THE RECORD.
TO THE RECORD.
INTO THE WORLD.
REAL SOUND.
01 / IN THE FIELD
The room is
part of the instrument.
A few scenes from the work: mixing positions, live sets, and people finding their way to the dance floor.
A room, in motion.
DJ SETS / PARTIESAt the controls.
LIVE SOUND / SETUPUp close, live.
LIVE SOUND / PERFORMANCENo scenes match this filter.
02 / PRESS PLAY
A few things
worth a listen.
Three recordings from The Carlos Tapes (2019), with production credited to The Fentons. A few songs, and a few detours.
SELECTED RECORDINGSSIDE A / 3 TRACKS
ON THE DECK
Marigold Fields.
Ready when you are.
Full songs, small detours,
and some very specific titles.
03 / WHAT I DO
A practical side
to all this noise.
Start with the room, the recording, or the idea. Work out what it needs from there.
01DJ sets & events
Music for private parties, quinceañeras, corporate events, and themed functions. Sound and lighting requirements are scoped around the occasion.
Talk about an event02Live sound
Sound for bands, playback, and presentations. PA, microphones, mixing, and the details that make a setup work in its particular space.
Talk about the room03Recording & production
Recording and mixing for songs and spoken-word projects, with room to develop the arrangement around the performance.
Talk about a recording04 / THE WORKBENCH
Less scrolling.
More fiddling.
A place for small studies in sound, rhythm, and control. First up: one oscillator, one filter, and a little curiosity.
BROWSER STUDY 001 / SIGNAL SKETCHA new browser experiment.
Press play, then move the controls.
SIGNAL SKETCH
Peek inside the sketch
An oscillator generates the tone. A low-pass filter shapes its upper frequencies. The display follows the output while it plays.
oscillator → filter → gain → analyser → output05 / REMOTE CONTROL
Your instrument.
Within reach.
A phone-sized control room for the EMX-1. Browse factory rhythms, inspect your pattern, and build tempo-grouped sets through the Max bridge.
Try Deck Remote for VirtualDJ →
Starts in interface preview. Live control needs your computer, Max, and the connected EMX. The controller explains how to connect from Safari.
EMX—1 / CONTROL ROOMINTERFACE PREVIEW
FIVE SYNTHS. NINE DRUMS.Take the controls.PADS / PARAMETERS / PATTERNS
BROWSER → MAX → ELECTRIBE
06 / START A CONVERSATION
A room. A record.
A strange idea.
Tell me what you’re working on, when it’s happening, and what you need the sound to do.
jakemilgrom@milgroment.com Instagram / @gluumissad